How to Paint Like a Child

Children’s art is one of my greatest inspirations: it’s intuitive and impulsive, without the confines of “should” and “can’t”. Kids don’t have any sense of limitation, or any reason to doubt their own abilities.

Detail of a mixed media art piece, with brush strokes, scribbles, and splatter.

Picasso famously said “Every child is an artist. The problem is how to remain an artist once he grows up.” And, in one of my favorite talks ever, Do Schools Kill Creativity?, Sir Ken Robinson spoke about the confidence of a child drawing.

Today, I encourage you to pull out some paper, or canvas, and explore like a kid. Cheap materials work well for this kind of exercise: you’ll worry less about “wasting” your supplies and focus more on experimenting.

Try picking a color — paint, pen, pencil — and making random marks on a page. Close your eyes. Use your non-dominant hand.

Step back. What color is next? What color feels like it should come next? Add that.

Step back again, and look at what you’ve made. How does it make you feel? What is missing? What materials can you experiment with? What’s next?

Detail of a mixed media art piece, with brush strokes, scribbles, and splatter.

I find that when I create like this, I wind up with tons of messy pieces, some that I’ll toss or paint over. But often, I also end up with some very surprising and joyful works of art that I would never have discovered had I not let go and experimented.

Let go and channel your inner child: curious and unafraid of failing. And most importantly — have fun.

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January Mixed Media Art Showcase

I am currently showing mixed media art in the window of Atelier No. 5 in Cologne, Germany through the end of January. There’s something for everyone: larger pieces on canvas, wood panels, and paper, as well as smaller, more affordable pieces on paper (not shown here).

Details of the above, in order:

  • “Delight Me”: mixed media on wood, 12×12 in (30.5×30.5 cm), 175€
  • “Clown Car”: mixed media on wood 12×12 in(30.5×30.5 cm), 175€
  • “All the Good Things”: mixed media on canvas, ca. 16×16 in (41×41 cm), 200€
  • “Flowers/Fireworks”: mixed media on canvas, ca. 16x16in (41×41 cm), 200€
  • “Hurry I-II”: Mixed media on paper, 8.3×11.7 in (21×29.7 cm) 90€ each

If you’re in the area, come by! If you’re not in the area, stay tuned—I’m going to a post-show sale for the first time in over a decade. (Eek!)

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Hawaii & Iceland Art Journals

While I post my art journal pages regularly on my Instagram, I realized I haven’t shared a dedicated art post here in months. (Can I blame it on all this change?!)

At the end of April, I finished up my Hawaii art journal, named — like those from the past few years — for the atlas page on its cover. In July, I finally filmed a flip through:

Each art journal usually takes about three months to complete. Since joining the studio, though, the process has actually slowed as I figure out the logistics of how to create regularly in a dedicated space that is not in my home.

I’m just a few pages shy of completing my newest journal, Iceland, which will mark about three years of working in this size and style of handmade journal. Take a look at some of my recent art journal pages:

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Offene Ateliers Köln

Last weekend — only about week after I joined the studio collective — Atelier No 5 participated in Offene Ateliers Köln (Open Studios Cologne). The once-a-year event invites art studios throughout the city to open their doors and artists to share their work.

We held a reception on September 8, and despite having little to show given my move and limited time in the studio before the event, I was thrilled to sell two pieces (above, bottom left). While my personal art journals aren’t for sale, I was also proud to showcase several years’ worth and speak about the process of creating them (in German!).

A white wall with 10 colorful abstract art pieces in varying sizes. On a table below sit four completed art journals and two blank art journals.
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ICAD 2023

This year for the Index Card a Day (ICAD) challenge, hosted by Tammy Garcia of Daisy Yellow, I decided to step way outside my comfort zone and tackle something I’ve always been interested in exploring: portraits.

The only index cards I had on hand were just 2×3″ (5×7.6 cm). I added collage, chose an reference image from Google, and tried my best to capture the light and shadow in a loose way while generally capturing the spirit of the model.

After nine portraits, I’m moving on to creative processes I enjoy more — but to be clear, I’m not leaving this project with shame or guilt for having not finished or wishing that I’d pursued something different. In fact, I feel proud that I not only tried something new, but I gave myself permission to walk away when it became something I had to do, not something I wanted to do. Year of ease, remember?

Here’s what I learned during this experience:

  • When starting out, make it simple. These cards were way too small, and I didn’t have the right brushes to paint something with such tiny detailed elements. If I make more portraits in the future, I’ll give myself more room to work with and make sure that I have brushes that will allow me to capture the level of precision that I need.
  • Even a short repeated attempt at something new will build new skills. I learned a lot during this process: open-mouthed smiles are hard to capture, layering diluted paint adds depth and detail, and I really love painting kids and dynamic shadows.
  • Prepare to make mistakes! I have a pile of portraits I started then abandoned, either because they were overworked or I wanted to start on them afresh.
  • Stepping outside your comfort zone to try One New Thing in one way gives you permission to not only make what you’ve committed to, but to expand in other ways as well. I’m curious about making tiny abstract works on the rest of these index cards and look forward to experimenting with new compositions and processes.

Read more about ICAD here. See previous years’ work here: 2022, 2021, 2019. (I skipped 2020.)

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