How to Paint Like a Child

Children’s art is one of my greatest inspirations: it’s intuitive and impulsive, without the confines of “should” and “can’t”. Kids don’t have any sense of limitation, or any reason to doubt their own abilities.

Detail of a mixed media art piece, with brush strokes, scribbles, and splatter.

Picasso famously said “Every child is an artist. The problem is how to remain an artist once he grows up.” And, in one of my favorite talks ever, Do Schools Kill Creativity?, Sir Ken Robinson spoke about the confidence of a child drawing.

Today, I encourage you to pull out some paper, or canvas, and explore like a kid. Cheap materials work well for this kind of exercise: you’ll worry less about “wasting” your supplies and focus more on experimenting.

Try picking a color — paint, pen, pencil — and making random marks on a page. Close your eyes. Use your non-dominant hand.

Step back. What color is next? What color feels like it should come next? Add that.

Step back again, and look at what you’ve made. How does it make you feel? What is missing? What materials can you experiment with? What’s next?

Detail of a mixed media art piece, with brush strokes, scribbles, and splatter.

I find that when I create like this, I wind up with tons of messy pieces, some that I’ll toss or paint over. But often, I also end up with some very surprising and joyful works of art that I would never have discovered had I not let go and experimented.

Let go and channel your inner child: curious and unafraid of failing. And most importantly — have fun.

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Buried the Lede

Open mixed media art journal. A layer of collage is covered with frantic marks in pink, black, and white. Most of the background shows through.

From this quarter’s newsletter:

While the beginning of the year felt impossibly long, I’m frankly a bit stunned that we’re already here, mid-March, nearly a quarter of the way through 2024. Spring, though, is my favorite season and I’m working hard to stay present, appreciate the small things (like bees and blossoms and sunbeams), take deep breaths, and make the most of the here and now.

Also — my Etsy shop is open, nearly 10 years after my last sale! I’m offering a few mixed media works on paper and, for the first time, small handbound art journals completely filled with original mixed media.

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Hawaii & Iceland Art Journals

While I post my art journal pages regularly on my Instagram, I realized I haven’t shared a dedicated art post here in months. (Can I blame it on all this change?!)

At the end of April, I finished up my Hawaii art journal, named — like those from the past few years — for the atlas page on its cover. In July, I finally filmed a flip through:

Each art journal usually takes about three months to complete. Since joining the studio, though, the process has actually slowed as I figure out the logistics of how to create regularly in a dedicated space that is not in my home.

I’m just a few pages shy of completing my newest journal, Iceland, which will mark about three years of working in this size and style of handmade journal. Take a look at some of my recent art journal pages:

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Growing Pains

An art journal lying flat on a white background. The cover is an atlas page of one of the Hawaiian islands; the edges of colorful pages are visible.

From my fall 2023 newsletter:

I’ve been reminded again and again these past few months of how messy life is. How infinitely complex humans are. How none of us truly know what we’re doing, but we’re doing it anyway. (Go us.) And how art and friends and pets and glimmers help us through, one day at a time.

Read the full thing here.

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Why abstract art?

Open mixed media art journal. A layer of collage (graph paper, security envelope) is topped with energetic abstract marks in teal and turquoise, green, neon pink, and dark blue. Much of the background shows through.

I admire photorealism: it takes a huge amount of patience and technical skill to represents external reality well.

What I love about abstract art, though, is the conveying of emotion, experience, thought, and existence through form, color, movement, texture, and composition. It represents internal reality.

When I create my work, I tap into a sense of childlike wonder, letting intuition and joy lead the creative process. I choose colors that feel right in that moment. I scribble and splatter. I react to what’s on the page; nothing is preplanned.

Last year, I went to see a Joan Mitchell exhibition at the Baltimore Museum of Art. Joan’s paintings are huge and inspired by “remembered landscapes that I carry with me — and remembered feelings of them, which of course become transformed. … I could certainly never mirror nature. I … like more to paint what it leaves me with.”

The point of abstract art is expression and curiosity, not perfection.

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